Book conception and edition<\/p>\n\n\n\n
\u2013 \u201eim Atelier Liebermann: Max-Artists\u201c, catalog accompanying the exhibition of the same name marking the 10th anniversary of the program Max \u2013 Artists in Residence at Schools <\/em>of the Brandenburg Gate Foundation at the Max Liebermann House, Berlin, September 25, 2025 \u2013 March 1, 2026, Berlin, Brandenburg Gate Foundation (ed.), 2025. Articles and book chapters<\/p>\n\n\n\n \u2013 \"Meer\" (\u201cSea\u201d, Chapter 27) Co-author with Mareike Vennen in: Isabel Kranz and Joela Jacobs (eds.): Pflanzen: Kulturwissenschaftliches Handbuch<\/em>, Stuttgart: J.B. Metzler, 2025, in preparation for spring 2026. <\/p>","protected":false},"excerpt":{"rendered":" Buchkonzeption und -redaktion – „im Atelier Liebermann: Max-Artists“, Katalog zur gleichnamigen Ausstellung anl\u00e4sslich des 10. Jubil\u00e4ums des Programms Max \u2013 Artists in Residence an Schulen der Stiftung Brandenburger Tor im Max Liebermann Haus, Berlin, 25. 9. 2025 \u2013 1. 3. 2026, Berlin, Stiftung Brandenburger Tor (Hg.), 2025.– \u201eRE:VISION \u2013 20 Jahre Kunstverein Tiergarten\u201d, Ausstellung und […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-80","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/juliaheunemann.com\/en\/wp-json\/wp\/v2\/pages\/80","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliaheunemann.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/juliaheunemann.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/juliaheunemann.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/juliaheunemann.com\/en\/wp-json\/wp\/v2\/comments?post=80"}],"version-history":[{"count":7,"href":"https:\/\/juliaheunemann.com\/en\/wp-json\/wp\/v2\/pages\/80\/revisions"}],"predecessor-version":[{"id":254,"href":"https:\/\/juliaheunemann.com\/en\/wp-json\/wp\/v2\/pages\/80\/revisions\/254"}],"wp:attachment":[{"href":"https:\/\/juliaheunemann.com\/en\/wp-json\/wp\/v2\/media?parent=80"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\u2013 \u201eRE:VISION \u2013 20 Jahre Kunstverein Tiergarten\u201d, exhibition and catalog marking the 20th anniversary of Kunstverein Tiergarten at Galerie Nord, co-conceived and co-edited with Ulrike Riebel and Veronika Witte, Berlin: Kunstverein Tiergarten (ed.), 2024.<\/p>\n\n\n\n
\u2013 \u201eZwischen den Horizonten. Zu Atalya Laufers Serie Exodus<\/em>\", in: Atalya Laufer (ed.): Exodus<\/em>, Berlin: permanent publishing, pp. 43-49.
\u2013 \u201eBetween Horizons. Atalya Laufer\u2019s Exodus<\/em> Series\u201c, in: Atalya Laufer (ed.): Exodus<\/em>, Berlin: permanent publishers, pp. 42-48.
\u2013 \u201eMax-Ateliers: Blicke in besondere R\u00e4ume\u201c (\"Max Ateliers: Glimpses into special spaces\") in: Stiftung Brandenburger Tor (ed.):im Atelier Liebermann: Max-Artists<\/em>catalog accompanying the exhibition of the same name at the Max Liebermann House, Berlin, September 25, 2025 \u2013 March 1, 2026, Berlin: Brandenburg Gate Foundation (ed.), 2025.
\u2013 \u201cStr\u00f6mungsreisen. Erfahrungen mariner Zeitlichkeiten in der Kartographie des Nordatlantiks\" (\u201cCurrent Journeys: Experiences of Marine Temporalities in the Cartography of the North Atlantic\u201d) in: Iris Schr\u00f6der, Felix Sch\u00fcrmann, and Wolfgang Struck (eds.): Jenseits des Terrazentrismus. Kartographien der Meere und die Herausbildung der globalen Welt<\/em>, G\u00f6ttingen: Wallstein, 2022, pp. 35-56.
\u2013 \"Approaching the Dynamics of Change. Regarding the Artistic Practice of Julia Grybo\u015b and Barbora Zentkov\u00e1\", 2020, published online for berlinsessions.org<\/a><\/strong>.
\u2013 \"Vom Sezieren gesellschaftlicher Artikulationen. Zu den Arbeiten von Silke Schwarz\" (\u201cOn dissecting social articulations. On the works of Silke Schwarz\u201d) in: Goldrausch K\u00fcnstlerinnenprojekt (ed.): Archipelago. Goldrausch 2018<\/em> (Katalog der gleichnamigen Ausstellung), Berlin: Goldrausch K\u00fcnstlerinnenprojekt (o.S.).
\u2013 \"Str\u00f6mungen als Differenzph\u00e4nomene. Zur Formalisierung von Str\u00f6mungswissen bei James Rennell\" (\u201cCurrents as phenomena of difference. On the formalization of knowledge about currents in James Rennell\u201d) in: J. Elvert, M. Elvert (eds.): Agenten, Akteure, Abenteurer. Beitr\u00e4ge zur Ausstellung \u201eEuropa und das Meer\u201c am Deutschen Historischen Museum Berlin<\/em>, Berlin: Duncker & Humblot, 2018, pp. 481-488.
\u2013 \"Reading under tension\" (engl. version of \u201eLekt\u00fcre unter Spannung\u201c) in: AF\/CH Adib Fricke trifft Christian Hasucha<\/em>, catalog accompanying the exhibition at Galerie Nord | Kunstverein Tiergarten, Berlin, Edition Adib Fricke, 2017, pp. 27\u201328.
\u2013 \u201cNo straight lines. Zur Kartographie des Meeres bei Matthew Fontaine Maury\" (\"On the cartography of the sea by Matthew Fontaine Maury\u201d) in: M. Winkler, A. Kraus (eds.), Weltmeere. Wissen und Wahrnehmung im langen 19. Jahrhundert<\/em>, G\u00f6ttingen: Vandenhoeck & Ruprecht, 2014, pp. 149\u201368.<\/p>\n\n\n\n